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The return trips were arduous and dangerous as the west wind brought with it storms. The long period away from home could cause uncertainty, resulting in some wives of crew members re-marrying. The trade would take only a few days but the entire voyage usually took two to three months.ĭuring the long wait, repairs were done on the canoes and relationships were strengthened among the traders. Return trips brought a bountiful supply of sago to last throughout the drought. This and subsequent trips were necessary because at this time of the year there was usually drought along the Motuan coast. He and his friends built a lakatoi and made the first trip to the Gulf. Siabo was said to be inspired by a sea spirit after a fishing trip. After the trade, they returned eastwards when the winds changed to the Laurabada.Īccording to history, the first sailing trip was led by an Edai Siabo of Boera village.
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The Motuan men sailed west before the Lahara (south-easterly winds). When the men returned, only the virgins welcomed them, singing and dancing in celebration of their safe return,” she added. “No matter how long the voyage takes, the young girls had to sit in the house and wait. “Young sisters, wives, and mothers have to sit in the house waiting for the return of the young men who had gone for the Hiri voyage,” Meroni said. The contestants dress up to welcome the Hiri Moale lakatoi, a large double hulled trading canoe, as it re-enacts a return from a traditional expedition to the Gulf.Īnother former Hiri queen, Meroni Anama, who was crowned in 1988, said the men traded yam and clay pots for sago.
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“It’s how well we know our culture, our tradition and the Hiri Moale trade,” Hebou said. Women from villages in the Motu Koitabu region aged between 18 and 25 are eligible to enter the contest.Ī former Hiri-Moale Queen Hebou Dikana said cultural knowledge of the traditional Hiri trade and accomplished traditional dancing were important for contestants. Today many of the components of village life are taken into consideration by the judges including authentic tattoo designs, bodily decoration and ornaments relating to the woman’s village. Approval and appraisal by village elders honour such a person. Elegance and grace in carrying out duties and performances are also considered.
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Hiri Hanenamo is not attributed to beauty alone, beauty being only one aspect of being a Hiri queen. In fact the wife of the Hiri pioneer Edai Siabo was the original Hiri Hanenamo because of her commitment and dedication to the rituals vital to ensuring a successful Hiri trading voyage. It is from this original concept that the modern-day Hiri Hanenamo (Queen) competition is derived. She observes the rules, norms and laws of her society and brings happiness to her family. Hanenamo is a young woman who displays upright attitudes, manners and behaviour and whose character is respectful of the title. The success of the Hiri trade was based on the Motuan tradition of daring to explore the unknown for the collective benefit of the people.Īnd in September each year, amongst the many cultural events coinciding with PNG’s independence celebrations, is the Hiri Moale Festival and the Hiri Hanenamo beauty contest. PORT MORESBY – In many parts of Papua New Guinea, tribal boundaries and customs remain barriers for the progress the country desperately seeks.Ī traditional fear of enemies still imprisons many people from pursuing progressive outcomes.īut the Hiri Moale Festival breaks down obstacles that hold back PNG from becoming a prosperous and respected nation. Hiri Moale Festival in Port Moresby, PNG. Read historical collections of these festivals by Peter below. In September each year, amongst the many cultural events coinciding with PNG’s independence celebrations, is the Hiri Moale Festival and the Hiri Hanenamo beauty contest.